Why Michael Crawford and Donald Trump Belong Together

On December 6, the actor best known for his iconic role in Some Mothers Do ’Ave ’Em was honored at a ceremony in the Oval Office. This event has sparked curiosity: could Donald Trump be a secret fan of Frank Spencer? The connection between the former president and the British comedian is more than just a coincidence.

So, what makes the 83-year-old Crawford, now living in New Zealand, so admired by such an unlikely figure? Well, it turns out that Trump was present at Crawford’s Broadway debut in 1967, when he performed in Peter Shaffer’s Black Comedy. More importantly, Trump has long been a fan of Andrew Lloyd Webber’s musicals. He has spoken publicly about his love for Evita and The Phantom of the Opera, which featured Crawford in a career-defining role. So, is this pairing really as odd as it seems? Here are the reasons why these two figures might actually be a perfect match.

1. They Are Both Survivors

Crawford became a household name in the 1970s sitcom Some Mothers Do ’Ave ’Em, where he played the hapless Frank Spencer. This character, known for his beret and bumbling nature, often found himself overwhelmed by life—whether it was DIY projects, job searches, or even pet ownership. His famous line, “Ooh, Betty, the cat’s done a whoopsie on the floor,” captured the essence of his comedic struggle.

But despite his frequent misfortunes, Frank Spencer is also a survivor. Crawford famously performed all his own stunts in some daring scenes, showcasing his resilience. Underestimating either Frank or the president would be a mistake.

2. They Both Mangle Language

Frank Spencer was beloved for his unique way with words. His misuse of English was legendary, from phrases like “pissdomestic” (instead of “pessimistic”) to his humorous line, “I was ejaculated from my home.” He even once sought help on “Harlot Street.”

Trump, too, has a distinctive approach to language. During his 2016 campaign, he claimed, “I have the best words.” His speeches often feature free-associating phrases, such as referring to Apple CEO Tim Cook as “Tim Apple” or writing on social media, “We were cocked and loaded.” Frank would surely be proud.

3. They Have Both Been Chased by the ‘Woke’ Brigade

In August, Trump mentioned his involvement in selecting this year’s Kennedy Center honorees, stating he turned down options because they were “too woke.” His opposition to modern wokery is a key part of his administration, and his choice of Crawford—a star of a show from another era—adds an interesting layer to this stance.

In 2021, the BBC investigated a complaint about an offensive term used in a 1975 Some Mothers Do ’Ave ’Em Christmas special. Crawford, speaking to The Telegraph in 2016, noted that Frank Spencer wouldn’t likely be allowed on TV today due to political correctness. However, the anti-woke White House would likely welcome the character.

4. They Are Both the Greatest Showmen

Crawford originated roles in two successful stage musicals. In 1980, he starred in Barnum, playing PT Barnum, the circus impresario. The climax of the first act involved Crawford walking across a tightrope, showcasing his commitment to performance.

This instinct for showmanship is essential for politicians, and Trump certainly embodies it. Whether it’s holding rallies or attending events like pro wrestling or the UFC, he understands the value of spectacle.

5. They Both Have a Flair for the Melodramatic

Crawford’s most iconic role came in Andrew Lloyd Webber’s The Phantom of the Opera. As the masked Phantom, he delivered a performance that earned him Olivier and Tony Awards. His portrayal of the dramatic, theatrical character set a standard for histrionics.

Trump, with his love for grandeur, would likely appreciate the Phantom’s flair. From the satin cape to the iconic chandelier, the musical’s aesthetic could easily find a place in a future White House renovation.

6. They Are Both Comeback Kings

Crawford’s career had its ups and downs. His 1969 film Hello, Dolly! was a critical and commercial failure, and he lost his money due to a pyramid scheme. At one point, he even resorted to stuffing cushions for work.

However, he made a comeback with Some Mothers Do ’Ave ’Em and solidified his legacy with Phantom of the Opera. Similarly, Trump faced setbacks after losing the 2020 election and dealing with legal issues, only to return to power in 2024.